영화미디어학자로 Activism and Post-activism: Korean Documentary Cinema, 1981-2022 (Oxford University Press, 2024), Documentary’s Expanded Fields: New Media and the Twenty-First-Century Documentary (Oxford University Press, 2022), Between Film, Video, and the Digital: Hybrid Moving Images in the Post-media Age (Bloomsbury Academic, 2018/16)를 출간했고, Cinema Journal, Screen, Camera Obscura, Animation: An Interdisciplinary Journal, Film Quarterly, and Millennium Film Journal 등에 논문을 발표했다. 대우재단 학술연구지원 선정작 『위기미디어: 위태로운 21세기 사회와 미디어의 확장 』을 2025년 9월 대우학술총서(아카넷)로 출간 예정이며, Mathemagical Media: Generative AI and Images (under contract with Bloomsbury Academic)을 2026년 하반기 출간을 목표로 작업 중이다.

PhD in New York Univ / Martin Scorsese Department of Cinema Studies (2011)
난양공과대학 조교수 (2011 – 2013)
중앙대학교 교수 (2013 – 현재)
한국방송학회 제3회 국제학술상 저술분야 최우수상 (2024)
풀브라이트 장학 프로그램 중견연구자 부문 선정(2021, Film and Media Studies, Columbia University)

최근 주요 논문 :

“Digital Twins as Planetary Media in Europe and China: Optimization and Resilience in Scientific and Socioeconomic Domains,” forthcoming in New Media & Society (2025) (SSCI).

“Fabulations of Light: Speculative Operations in Sunstone (2018) and All Light, Everywhere (2021),” forthcoming in JCMS: Journal of Cinema and Media Studies 64.3 (Spring 2025) (A&HCI).

“What You See from These Survival Games is What Machines Get and Know: Squid Game, Surveillance Capitalism, and Platformized Spectatorship,” International Journal of Communication 18 (2024): 131-147 (SSCI).

“Activism Renewed and Beyond: Korean Feminist Documentary Practices in the Twenty-First Century,” Kritika Kultura 40, https://doi.org/10.13185/1656-152x.1484 (February 2023) (A&HCI).

“Inter-Asian Dance as Method, Artistic Research as Method: Nam Hwayeon’s Work on Choi Seung-hee,” Inter-Asian Cultural Studies 23.4 (2022): 526-539 (A&HCI).

“Revisiting Stan Douglas’s ‘Cinema of Operations,’” Afterall: A Journal of Art, Context and Inquiry 53 (2022): 32-55 (A&HCI).

「시네마의 변화와 존속 -『뤼미에르 은하계』와 포스트-시네마 연구」, 『대중서사연구』 29권 1호 (2023), 363-417쪽.

“Testimonies, Landscapes, Reenactments: Visualizing Trauma and Violence in Im Heung-soon’s Documentary Works,” Interventions: International Journal of Postcolonial Studies 23.5 (2021): 728-753 (SSCI and A&HCI).  

“The Archive with a Virtual Museum: The (Im)possibility of the Digital Archive in Chris Marker’s Ouvroir,” Memory Studies 13.1 (2020): 90-106 (SSCI and A&HCI).

연구관심사 : 영화이론, 디지털 시네마/아트, 포스트-시네마 연구, 실험영화 및 비디오, 확장다큐멘터리, 영화와 동시대미술, 비판적 디지털 미디어 연구, 글로벌 위기와 미디어