영화미디어학자로 Activism and Post-activism: Korean Documentary Cinema, 1981-2022 (Oxford University Press, 2024), Documentary’s Expanded Fields: New Media and the Twenty-First-Century Documentary (Oxford University Press, 2022), Between Film, Video, and the Digital: Hybrid Moving Images in the Post-media Age (Bloomsbury Academic, 2018/16)를 출간했고, Cinema Journal, Screen, Camera Obscura, Animation: An Interdisciplinary Journal, Film Quarterly, and Millennium Film Journal 등에 논문을 발표했다. 대우재단 학술연구지원 선정작 『위기미디어: 위태로운 21세기 사회와 미디어의 확장 』을 2025년 9월 대우학술총서(아카넷)로 출간 예정이며, Mathemagical Media: Generative AI and Images (under contract with Bloomsbury Academic)을 2026년 하반기 출간을 목표로 작업 중이다.

CV의 bio를 가져왔습니다.
Jihoon Kim is professor of cinema and media studies at Chung-ang University. He is the author of Activism and Post-activism: Korean Documentary Cinema, 1981-2022 (Oxford University Press, 2024), Documentary’s Expanded Fields: New Media and the Twenty-First-Century Documentary (Oxford University Press, 2022) and Between Film, Video, and the Digital: Hybrid Moving Images in the Post- media Age (Bloomsbury Academic, 2018/16), and his essays have appeared in Cinema Journal, Screen, Camera Obscura, Animation: An Interdisciplinary Journal, Film Quarterly, andMillennium Film Journal, among others. Currently he is working on two book projects, Crisis Media: Expanding Media in the Precarious Twenty-First Century, and The Mathemagical Media: On Generative AI, respectively.

PhD in New York Univ / Martin Scorsese Department of Cinema Studies (2011)
Assistant Professor, Nanyang Technological University (2011 – 2013)
Professor of Cinema and Media Studies Department of Film Studies Chung-ang University (2013 – present)
Grand Prize in the Book Category, The 3rd International Research Awards Korean Association for Broadcasting & Telecommunication Studies (2024)
Mid-career Research Award, Fulbright Korea and the US Department of State (2021, Film and Media Studies, Columbia University)

Recent Publications :

“Digital Twins as Planetary Media in Europe and China: Optimization and Resilience in Scientific and Socioeconomic Domains,” forthcoming in New Media & Society (2025) (SSCI).

“Fabulations of Light: Speculative Operations in Sunstone (2018) and All Light, Everywhere (2021),” forthcoming in JCMS: Journal of Cinema and Media Studies 64.3 (Spring 2025) (A&HCI).

“What You See from These Survival Games is What Machines Get and Know: Squid Game, Surveillance Capitalism, and Platformized Spectatorship,” International Journal of Communication 18 (2024): 131-147 (SSCI).

“Activism Renewed and Beyond: Korean Feminist Documentary Practices in the Twenty-First Century,” Kritika Kultura 40, https://doi.org/10.13185/1656-152x.1484 (February 2023) (A&HCI).

“Inter-Asian Dance as Method, Artistic Research as Method: Nam Hwayeon’s Work on Choi Seung-hee,” Inter-Asian Cultural Studies 23.4 (2022): 526-539 (A&HCI).

“Revisiting Stan Douglas’s ‘Cinema of Operations,’” Afterall: A Journal of Art, Context and Inquiry 53 (2022): 32-55 (A&HCI).

“Cinema’s Change and Persistence – The Lumière Galaxy and Post-cinema Studies” Journal of Popular Narrative 29.1 pp.363-417 (2023) : 363. (Korean)

“Testimonies, Landscapes, Reenactments: Visualizing Trauma and Violence in Im Heung-soon’s Documentary Works,” Interventions: International Journal of Postcolonial Studies 23.5 (2021): 728-753 (SSCI and A&HCI).  

“The Archive with a Virtual Museum: The (Im)possibility of the Digital Archive in Chris Marker’s Ouvroir,” Memory Studies 13.1 (2020): 90-106 (SSCI and A&HCI).

Fields of Research : Film Theory, Digital Cinema/Art, Post-Cinema Studies, Experimental Film and Video, Contemporary Art and Cinema, Critical Media Studies, Global Crisis and Media